We are an architecture collective of PhD researchers from Newcastle University specialising in living technologies for the future. Our mission is to challenge conventional methods of construction by proposing an ecocentric alternative. We believe that future buildings should be living, breathing and inclusive of nature.

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Deepening knowledge of biological systems has allowed us to integrate biology within a wide range of industries, including medicine and industrial chemical synthesis, as well as developments within the field of biotechnology. In this context, the paper introduces the field of living materials in architecture and explores a set of new design paradigms that enable such collaborations and exchanges to occur, highlighting the need for the development of advanced making practices that are capable of accommodating other living forms. The material practices introduced here utilize mycelium, bacterial cellulose, biomineralising bacteria and photosynthetic algae in order to demonstrate experimental alternatives for the construction industry. These new interactions with nature recognise that we need to work with the requirements of organisms in order to promote growth, guide development and benefit from living metabolic functions. The use of living materials presents a set of sustainable alternatives for different parts of the lifecycle of buildings and a need for an attitude shift that would allow a more inclusive building realm.

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The exhibit features a collection of living experimental setups that utilise laboratory protocols to sustain living organisms and demonstrate the process of creation with biological materials. Each display is at a different stage of inception, demonstrating different methods of cultivation as well as finished products. The different pieces create microcosms where species thrive and meet, crossing the boundaries of isolated research to create hybrid ecologies that reflect the natural networks present in nature. They utilise scaffolds and moulds of various types to assist their growth and potential wider application into the building realm. The making process is central to the work, with each piece demonstrating a fabrication practice that has transitioned from a laboratory environment into the social realm.